They ’re enormous : gargantuan face up that equal at you over the view or from under ocean waves . They ’re the topic of Nathan Smith ’s terrific series of fossil oil paintings , which call back to the classic covers of sci - fi paperbacks .
Nathan told us that these paintings were inspired by a dreaming : “ As awfully clichéd as it may fathom , but certain clichés are not only true , they are sorcerous . In this particular aspiration I come up myself in the raw , albeit underwhelming mount of a rolling hillside of a sea-coast only to see off towards the horizon to see giant humanoid figures rest in the sea . ”
Nathan meditate fossil oil picture at Evergreen State College , where he learn from Paul Sparks , where he “ develop a more photo - naturalistic plan of attack to overlapping panel of ‘ romance comics’-inspired scenario , ” something he used with his self-employed person work . It left him want more from art , and he gain what “ really fired me up and grow me excited … [ was ] the scientific discipline fiction section at the local used book store . ”
In special , the old covers to soft-cover book from the 1970s and eighties , and magazine report from the the like of Omni and Asimovs .
Particular standouts to me include Stanislaw Fernandes ( Omni covers , Star Trek novel ) , John Cayea ( House of Zeor , The Stand ) , Vincent DiFate ( Dune cover ) , and George Underwood ( Man Who Fell to Earth film necktie - in cover ) whose gallery output is even more inspiring to me .
Smith noted that he feel that these face represent “ people near the goal of their lives , at the end of their journeying on this satellite , consequence before dropping behind the horizon forever . ”
Here ’s a selection from the series :
you may watch over Nathan onInstagramor visit hiswebsitefor information on the paintings and updates .
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